Digital Ars

Just a few years ago, artificial intelligence was primarily a technological curiosity, or even a sensation. Today, it is increasingly becoming a common tool for artistic expression, inspiring artists to experiment with form, emotions and storytelling techniques. It was at this very moment that the winners of the 6th edition of Digital Ars were announced.

The winners of the Digital Ars competition, organised by the Digital Poland Foundation, have been announced for the fifth time. It is Poland’s first competition dedicated to visual arts created using artificial intelligence, data and algorithms. It is a space where technology becomes a tool for artistic expression.

For the fourth time, we have selected the winners of the Digital Ars competition. First place in the Open category went to Khrystyna Silina for “The Durability of Memory,” while her work “Ukraine” triumphed in the No Code category. In the Metamorphoses category, Kajetan Szostok took first place with “Animation.” Organized by the Digital Poland Foundation, Digital Ars is Poland’s first competition for visual arts created by artists who use artificial intelligence, data, and algorithms in their work.

In “Reset,” we'll explore the world of art shaped by artificial intelligence. We'll speak with the winner of a competition for art created in collaboration with artificial intelligence.

For the third time, we have selected the winners of the Digital Ars competition. First place in the OPEN category went to Arkadiusz Rataj for his work *Clouds*. The grand prize in the NO CODE category for the project *Grab the Calendar* was awarded to the team led by Tomasz Graszewicz. Arkadiusz Rataj was also named the winner in the METAMORPHOSES category for his work Anonim tak zwany Gall – Kronika Polska. Organized by the Digital Poland Foundation, Digital Ars is the only competition in Poland dedicated to visual arts created by artists who utilize artificial intelligence, data, and algorithms in their work.

In the PI TECHNOLOGIA podcast, Dominika Banaszkiewicz of the DigitalPoland Foundation explains what generative artificial intelligence is, where it is most commonly found, and what dilemmas it may raise. The interview is conducted by Karol Tokarczyk.

The future is unfolding before our eyes. Artificial intelligence is increasingly making its way into more and more areas of our lives. Art, too, may soon be the work of computers. Paulina Sawicka’s guests were Dominika Banaszkiewicz, Director of the ongoing Digital Festival, and Aleksander Fafuła, two-time winner of Digital Arts, a competition for those who create art using artificial intelligence.

An exhibition curated by artificial intelligence was recently held in Warsaw. AI is also increasingly taking on the roles of composers, painters, graphic designers, and even film directors.

Digital Ars is the first competition of its kind in Poland, encouraging artists to collaborate with artificial intelligence and incorporate technology into their art. Who won the second edition in the open category?

A dozen or so artists and unique works that take you by surprise. The winning entries from Digital Ars are now on display at several locations across Poland. This is Poland’s first competition for art created by humans in collaboration with artificial intelligence.

A “living” Mona Lisa and a conversation between two artificial intelligences are just some of the surprises awaiting visitors to the “Art, Humans, AI” exhibition. In the heart of Warsaw, the Digital Poland Foundation has organized Poland’s first outdoor installation of works created in collaboration with AI. The works were created by the winners of the second edition of the Digital Ars competition.

The Digital Poland Foundation has announced the winners of the second edition of Digital Ars. This is Poland’s first competition for art created by humans in collaboration with artificial intelligence. The winners demonstrate that AI is capable of creating unique works and interpreting the art of Leonardo da Vinci and Vincent van Gogh in entirely new ways.

On October 9, 199 years after Ludwig van Beethoven’s first sketches, the Telekom Forum in Bonn will host the world premiere of the “Symphony No. 10”—completed and produced using artificial intelligence (AI) with the collaboration of a team of international experts. The event will take place during the 3rd edition of Innovation Night.

Robots can do many things for us. We have taught them to operate both in close proximity to humans and far away from us, in conditions that are dangerous to our health and lives. But is the most intelligent machine capable of thinking artistically, just like a human? Can it create its own Digital Ars that aligns with our canon of beauty?

In Łódź, computers will help create art. It is the only event of its kind in Poland.

On October 1, Poland’s largest educational and technological initiative will launch for the third time. The Digital Festival is a platform designed to educate Poles, enabling them to develop digital skills and get an up-close look at the world of new technologies. It may come as a surprise to many, but modern solutions also allow us to engage with art in a completely different way—even art from hundreds of years ago.. .